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Reading Borges Training theory

Reading Borges part 2: Repetition without repetition

It’s true that we should not make an exercise too hard because when something is too hard, we don’t learn much, and even more importantly we won’t enjoy the process and soon enough quit coming back (who wants to feel shitty all the time?).

Skills are often treated as things you have. Stored motor programs, memorized techniques, procedural knowledge that becomes stable and automatic through repetition. Perfect practice, for perfect results.

But what if skills are things you do? Emergent solutions generated in real time, under constraints that are always shifting: fatigue, attention, timing, environment, emotional state. Remove error entirely and you remove the signal the system needs to reorganize.

So it’s also true that when we make things too easy, we don’t learn much, lose interest, and stop coming back all the same.

Most coaches recognize both failures immediately. The harder task is knowing, in practice, when a movement that looks good has stopped demanding anything from the athlete.

Motor learning as a formal scientific field emerged in the early–mid 20th century (1920s–1960s), evolving out of psychology, physiology, and early human performance research. It did not begin with athletes moving through chaotic environment, instead it was set up in laboratories. Early researchers worked with tasks that were easy to measure: pressing keys, tracking lights, tapping rhythms. Closed, predictable actions where every deviation was obvious made it natural to think that the nervous system would strive to reduce error and stabilize performance.

Coaches absorbed these metaphors immediately. Perfect practice, perfect repetition, perfect technique. Clean up the deviation. Freeze the ideal and repeat it until it sticks.

In the 1960s, Nikolai Bernstein, who was largely ignored in the West at the time, observed something that didn’t fit the narrative at all: skilled performers never move the same way twice. This allowed the body to adapt to changing conditions, loads, surfaces, fatigue, timing.

What Bernstein suggested, quietly but radically, was that the nervous system doesn’t solve movement by executing a stored program. It solves it by coordinating itself each time. Repetition without repetition.

It would take decades for this insight to be absorbed. Through the 1980s and 1990s, dynamic systems theory, coordination dynamics, and ecological psychology began to challenge the old metaphors.

In 1939 Borges published his short story Pierre Menard, Author of the Quixote. In it he is telling us about a french poet who embarks on the absurd project of writing Cervantes’ novel Don Quixote again. Not, like in fan-fiction, a modern reboot of it (in which one would place the characters in modern situations) – but an actual recomposing of it.

At first, he considers the obvious route: to reproduce the book perfectly, perhaps he must become Cervantes: learn Spanish, return to Catholicism, fight against the Moor or Turk, forget the history of Europe from 1602 until now. Recreate the original causes and hope the same effect will follow. He quickly abandons this plan, as, thinking on it, he deems it impossible and, more importantly, uninteresting. Instead he decides to write Don Quixote as himself. A twentieth-century man, with knowledge from another world. The syntax, the words written, will end up the same, but their meaning, as it does not emerge from the text alone, but from the conditions under which it is produced will be something completely different.

The short story suggests that repetition only works because conditions are never identical. This is Bernstein’s “repetition without repetition,” long before the term existed. That learning does not come from reproducing the same solution, but from repeatedly adapting to slightly different situations while aiming at something recognizably “the same.”

A series of exercises in which the sensimotor experience is as similar as possible to a sporting movement is called whole practice. The alternative is parts practice, where one or more parts of the movement is practiced, rather than all of it.

When it comes to complementary training, which is the training you do in order to support better actions in the field of sports, exercises is, regardless if whole or part, is highly simplified versions of sporting movement.

The more similar an exercise is in sensorimotor terms, the greater its potential help from it to improve at the field of sports. This is why whole practice is always preferable. Sometimes, however, it is difficult to ensure progression with whole practice.

When learning movement there must be room for self-organization of the motor patterns forming this movement. Without your body being able to self-organize it would not be able to react to the demands of the environment quickly enough (describe the amount of time it takes for the brain to send signal to the muscle), and regardless, such top-down control, would only ensure performance of very specific movements in a very set environments.

When the athletes skill in a movement is low, more top-down control is necessary, and therefore the cognitive demand is higher. Too much cognitive demand in a situation, or exercise, and we are more likely to fail.

Building “motor programs” is more a matter of eliminating movement patterns that work only sometimes, than learning a single solution that works every time. The variation (noise) in the movement is what helps to learn what could be left to peripheral self-organization and what will have to be done top-down.

If the athlete is to unskilled in an exercise the noise will be so great that he or she cannot learn much from the performance of it, and progress will halt because each performance of the exercises cannot be linked together, and learned from.

In such cases, regardless of the superiority of whole practice, complexity needs to be controlled and we need to break the challenge down into manageable challenges. So the aim for complementary training is to designing exercises that are “as whole as possible”.

In a way, it’s not only the “signal” (successfully performed movement) that causes an increase of learned skill, but also the amount of “noise” (variability of performed movement).

“Open sports” (like basketball, football, mountain biking, etc) involve unpredictable, changing environments requiring constant adaptation, while “closed sports” (like gymnastics, weight lifting, swimming, CrossFit, etc) happen in stable, predictable settings with self-paced, consistent movements.

Strength training for open sports is so unlike the challenges on the field that expectations of a large effect from technical similarity are low. Better for these sports would be to focus more on structural change in the gym, like building muscles, tendons, and the capacity to tolerate force, rather than trying to add overload to sport-specific solutions.

But still, whether we challenge coordination or the ability to maintain stability against load (strength) there has to be sufficient challenge. Load, speed, time pressure, instability, or fatigue all create challenge, and in that sense they can all be thought of as intensity.

We can think of intensity as the amount of cognitive effort in demand. Time stress and load, as well as chaotic environments and mental pressure all play a role in how much cognitive effort is demanded during any given practice, and how well we can perform it. Seen this way, all training becomes skill training to some degree.

Whether the exercise is labeled “coordination” or “strength” the athlete is always negotiating constraints, managing errors, and organizing movement under pressure.

The distinction still matters because it changes what kind of error is informative, and where that error must be generated, but regardless of whether we train for strength or coordination, in open sports or closed sports, well-designed practice still always live in a corridor of not too hard, but never too easy.

What the scientific experiments show, across different paradigms, is not an optimal amount of error, but an optimal relationship to it. Learning improves when error persists without overwhelming the system, when it is clearly tied to the athlete’s own actions, and when it continues to demand reorganization rather than repetition. When those conditions are absent, practice may look good while learning is stalling.

Science can describe the boundaries perfectly well if fed enough data, but much of what happens in a exercise is not easy to measure, and the data will never be complete. And what is easily measured still means different things in different contexts.

This is where Borges becomes unexpectedly practical.

Borges’ poet does not learn anything by copying Cervantes letter by letter. Only when he writes the same text under different historical, linguistic, and intellectual constraints does the act become meaningful. The difference is not visible on the page, but it is decisive in the process that produced it. The same distinction applies to training.

Context is something that is hard to quantify into calculations. The coach who is present and attentive and has the experience to pick up on more things than even himself could tell what they are can build exercises that are “as whole as possible”.

A task is too easy not when it looks simple, but when it no longer forces the athlete to adapt. This is no easy judgment to make, but if we look carefully there are several signs of this.

One is premature stability. Technique settles quickly and remains unchanged across repetitions and sessions. Error diminishes early and does not return. In laboratory terms, the task has fallen below the learner’s challenge point. In practice, it means the athlete is executing a solution they already own. The movement may be clean, but it is informationally poor.

Another sign is the absence of exploration. Repetitions look the same not because the athlete is skilled, but because nothing in the task demands adjustment. Timing, rhythm, and sequencing repeat themselves without visible searching. The athlete can maintain conversation, attention drifts, and nothing in the environment threatens success. Here, the system is not stabilizing a coordination; it is merely repeating one.

A third indicator is error without consequence. Missed timing, poor force direction, or inefficient positions do not meaningfully affect the outcome. The movement “works” even when it should not. In such cases the nervous system has little reason to reorganize, because the signal carried by error is too weak. The practice is forgiving in a way competition rarely is.

Finally, there is emotional flatness. Learning tasks tend to produce small oscillations in attention and affect: mild frustration, renewed focus, occasional relief and sense of accomplishment. When practice is too easy, these disappear. The athlete is neither challenged nor threatened, and nothing is at stake. This is not a motivational issue, but an informational one.

None of these signs require measurement devices, they are judgments made in real time, by looking carefully and with intent at what changes and what does not.

Worth noting, even if a little of a side track, is that this requires the coach to have clear criteria for what they would expect when they give out an exercise. If those criteria are not already established before the exercise is performed, then how could possibly you make a judgment on too what degree the athlete fulfills the purpose of the movement?

There is a growing conversation about saving time by having AI generate training programs, with the coaches then to “personalize” them on the floor. But does this not risk exactly this requirement for clear, pre-established criteria? If the purpose is unclear to the coach then evaluating whether it was met becomes guesswork rather than coaching. Intention is not only required from the athlete, but from the coach as well.

But, to get back on track:

When a task is identified as too easy, the solution is not to abandon it, but to change the conditions under which the same goal is pursued. The challenge can be increased by designing it as more whole practice, or the movement can remain intact while the challenge is altered, done with tighter time constraints, or performed with less visual information. Music can be turned up, familiar placement in the practice room can be changed, and fatigue, asymmetry, altered starting positions, or tighter success criteria can all raise the cognitive and coordinative demands without fragmenting the skill.

This preserves what the science insists on and what Borges illustrates: repetition only educates when it is not repetition in the literal sense. Learning emerges from encountering the same problem under conditions that are similar enough to recognize, yet different enough to require adjustment.

A coach does not need to chase either perfect movement nor complexity for its own sake. Their task is to keep practice from becoming a perfect copy of itself. That would be where learning stops.

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Reading Borges Training theory

Reading Borges part 1: No one actually wants a forest

Most training plans assume that tomorrow will function more or less like today. The same athlete with the same capacities. Just add a little more load, or do a little more of the same, and the response will be progress.

But anyone who has coached for more than a season knows how fragile that assumption is. A bad night of sleep, a small ache, a missed lift, a lost game, a loss of confidence and suddenly the plan that worked so well no longer fits the person standing in front of you.

At that moment, the problem isn’t effort or discipline. It’s that the map you were following no longer matches the terrain. I didn’t find a language for that moment in training textbooks. I found it in the short fiction of Jorge Luis Borges.

Borges writes about uncertainty, infinity, chance and time, all systems that can’t be fully mapped. This is a useful counterweight to the linear habits coaching often falls back on. His work refuses neat explanations, and that refusal can shake loose old ways of thinking or, just as usefully, strengthen them if they still hold.

While Borges is not a theorist of learning, he may be the best writer we have on what it feels like to push a system beyond its current limits, to look ahead without knowing how things will work out, and isn’t that what it feels like to learn?

Historically, both coaching practice and cognitive science have leaned toward control narratives. If you can break a skill into parts, sequence them correctly, and repeat them enough times, improvement should follow. That logic is tidy, attractive, and reassuring, especially in environments that crave measurable outcomes.

If you listen to how people talk about learning, you’ll notice a strange pattern: progress is often imagined like a graph in a powerpoint diagram: a line moving steadily upward, with a dip here and there for tasteful realism. Put in good work, repeat the correct pattern, follow the program, and the skill will “stick”.

Pedagogy absorbed the assumptions of industrial thinking: standardize the input, get standardized outputs. Psychology focused on error reduction: eliminate variability, reinforce the desired behavior. Sports coaching embraced the notion of an “ideal technique” and set out to sculpt athletes into approximations of biomechanical models.

It comes as no surprise, then, that exercise science absorbed these assumptions as well. Most planning of training assumed a top-down approach where adaptation could be predicted so reliably that you could plan backwards from a desired future capacity. Clear phases, defined objectives, load progressions that marched forward with the confidence of a train timetable.

The application of such models is highly structured and provides clear definitions at each stage. The idea is that peak performance arrives in a controlled way as the phases are neatly stacked on top of each other, maximizing the chance of hitting performance goals while minimizing the risk of overtraining.

But this requires a strict commitment to finishing each phase before starting the next, which introduces obvious problems. What happens if the athlete doesn’t respond to training the way we thought? What happens with injuries or illness? Do we keep building? Do we go back? And if we go back, where to? To the point where we got held up? Or do we account for the capacity we may have lost during sick leave?

A runner struggling after an illness isn’t just “behind schedule”, their whole rhythm of training shifts, and the neat phases we planned suddenly feel like papers caught by the wind.

But these are disturbing questions, that simply did not fit the dominant metaphors of the time: machines, programs, spreadsheets, blueprints. Machinery doesn’t like wobble. Athletes however, they wobble. All the time.

The Garden of Forking Paths - Jose Luis Borges - The Geecologist

In 1941 Borges published his short story The Garden of Forking Paths. In it he drops you in the middle of things. The first two pages are missing. Already, you’re off-balance. On the surface it looks like a spy story at the end of the first world war. A man on the run, pressed for time, trying to send a message to his German allies before being captured.

The narrator, Yu Tsun, tells us what happened after his cover was blown and he had only hours to act. Halfway through, the story changes tempo completely. The urgency dissolves, and instead of action, we are led into a quiet conversation about theories of time, labyrinths, and a strange book written by Yu Tsun’s ancestor, a book that was never meant to make sense in a linear way.

When the story returns to action, it does so abruptly. A murder takes place. The message is delivered, and the mission succeeds. And yet, it doesn’t feel right. The story leaves you with the sense that you’ve missed something.

At this point the reader has a choice: shrug and move on, or go back and read again. Those who do read again, with appropriated knowledge from the first pass, suddenly see how lines in the story that at the first reading appeared to be gibberish now makes sense. The story you thought was a spy plot is now something else entirely: a story about choices, consequences, and possibilities and that all possible futures exist, at the same time.

And read it again, with the knowledge about that, and yet another thread emerges, one that suggests the opposite of multiple possibilities, that whatever actions characters would have taken the outcome may have been fixed all along. There is a sudden insight, one that could not be made during the first few readings of the story, that the idea that all possible futures are realized at once is grand, but it doesn’t change much for us. Even if it was so, we never see those other worlds, and the only reality we can know is the one we live.

Borges leaves you without a map, and without the possibility of one. The only thing you are allowed to experience is the path you are on, now.

Isn’t this what practice feels like from the inside? Not a line in a power point, but branching paths. Each repetition changes what future repetitions are possible, and closes others. No privileged route, no secret shortcut, only the ongoing process of constantly selecting, adjusting, and navigating.

Notice. Choose. Move forward.

Even though the field of physiology already in the 1960s and 1970s moved on to more complex explanatory models for adaptation, shifting from homeostasis (“maintain a fixed baseline”) to allostasis (“constantly reorganize to meet changing demands”), training planning stayed rigid.

Pedagogy moved from linear, information-processing models toward ecological, relational, and systems-based explanations. Exercise science, even today, still leans heavily on Hans Selye’s theories of stress from the 1930s.

Coaching practice however had noticed the shift, and today there are considerable gaps between science and best practice, how training principles and training methods actually are applied. Today the term “ecological” gets thrown around also in our field.

But our tools remain built for sets, reps, percentages. You can’t put something vague into a spreadsheet. The times had no wiggle-room, so the planning stayed linear even after the understanding shifted.

“Ecology” sounds appealing enough, but no one actually wants a forest. They want a map, clear lines, predictable outcomes.

The real challenge isn’t being convinced, in theory, that the world isn’t linear. The challenge is acting non-linear. Partly because linear thinking is what most courses and training literature teach us, but also because the language of clear, predictable consequences is baked into the world, not just in training, but everywhere we look.

Can we use Borges here, not as a criticism, but as a kind of metaphor for how one can think in a different way, or at least approach such thinking?

To borrow Borges’s imagery: when we coach, it’s less about trying to guide people along the “correct” path through their labyrinth, because such a path might not exists, and even if it did, we wouldn’t be able to see it.

Our job as coaches isn’t to simplify complexity but to help the athlete stay with it without becoming overwhelmed, and then, when the moment is right, raise the demands. Regression isn’t failure, but reorganization (that may or may not be favorable in the long term). Standstill, on broader scale, is a neccesary prelude to the branching of possible next steps, and as such nothing to fear but to live with.

In a forest, progress isn’t something you march towards. It’s something that grows around you.

Still, all too often, when coaches, or any other theoretician shines the light on “what others do” or “what this theory says”, they stop after pointing at what might be a problem with that practice or theory. The internet is full of commentary and remarkably short on usable advice. To turn theory into practice, we need to go all the way: the real process, real situations. What would I actually do here? Get some real skin in the game, not just watch from the sidelines.

Contrary to the common saying: it doesn’t matter how big a toolbox you have, how many cues, drills, or clever progressions you’ve collected, if you haven’t also trained your coaches eye to see how situations differ. Case examples force you to look, to compare, to discriminate, to ask “why this here?” They keep you from assuming sameness where there is variation.

The snatch is used in sports because it develops superior, full-body athleticism by building explosive power, speed, strength, coordination, and mobility, crucial for activities like sprinting, jumping, throwing, and hitting, while also enhancing core stability and injury prevention through its complex, high-velocity, full-body movement pattern. 

It is both one of the simplest movements and one of the most complex. On paper, it’s just one instruction: lift a barbell from the ground with straight arms and catch it overhead, also with straight arms. But the moment you try it, you discover it’s also a very long, continuous sequence, moving the bar the greatest distance it can possibly travel, from the floor to full overhead lockout, while you drop under it, and then stand it up.

Each position in the snatch has to allow you to put force into the bar in a useful direction. If you add speed in the wrong direction, your strength becomes a problem rather than helpful. The faster the bar is moving off-line the harder it becomes to bring it back and save the lift.

Each position, then, is a kind of branching point. Your ability to find that position and control it shapes what paths remain available to you next. A sound position opens up possibilities, a poor one collapses them. Those possibilities aren’t knowable in advance, you discover them by getting there.

We need to plan and prescribe training, to give it direction and fit it into our lives. We usually do this by stipulating sets and reps and the weight to be lifted. That works, up to a point. But it says very little about how the weight is moved. To address that, we need more than volume and load. We need a language, a framework, that lets us prioritize and strengthen positions within the lift.

That’s why we, when we coach this lift, should look for the first position that breaks down, rather than trying to fix whatever goes wrong later in the lift. Those later errors are usually just the visible consequences of an earlier misalignment. Until the root position is addressed, the downstream problems aren’t really “fixable”. They’re symptoms of a branching that already happened.

Branching positions of the snatch. From left to right: starting position, bar at knee, power position, catch position

Having identified at what branching point in the snatch begins to break down, the position where our ability to organize internal and external force forces us out of position, we design drills toward strengthening the transition from the last position the athlete can still control to the first one they cannot. That is this athlete’s true edge of skill.

External demands (heavier load, faster bar speed), internal limits (strength, mobility, coordination), and the athlete’s psychological state (confidence, hesitation, fear of missing, arousal level) all shift where that edge shows up.

What this process gives us is not a way to perfect technique, but a way to locate where technique is currently possible. Progress, then, is less about chasing an ideal version of the snatch and more about widening the corridor of stable options the athlete can navigate. Coaching becomes the work of helping the athlete explore more of it without being overwhelmed.

My process is then:

1. Identify the first branching point where the athlete loses control of the bar’s direction. Look for loss of balance, posture, or force orientation.

2. Design practice that strengthens that specific position. This is often made unnecessarily complicated. You rarely need exotic drills or movements unrelated to the task. My approach is almost always some variation of:

  1. Finding and holding the position – lowering into it deliberately and stabilizing it.
  2. Starting the lift from that position – reducing everything except the transition we care about.
  3. Starting from the preceding position – adding just enough context to challenge the transition.
  4. Performing fuller versions of the lift – but limiting complexity by slowing the approach into the compromised position, adding pauses, or otherwise damping the speed of error.

3. Evaluate progress continually, remembering that stability at one load (or, remembering the influence from the psychological state of the athlete, even a specific day!) doesn’t guarantee stability at the next. As soon as external demands change, the capacity to control key positions of the lift may again be insufficient, and the work of strengthen that ability begins again.

Could the same argument be made without involving Borges at all? Probably. But engaging with stories like this trains us to notice the moment where systematic explanation runs out and living systems begin. Exercise science alone, for all its contributions, still struggles to describe that territory.

Research and studies is very important, of course, but also fiction, biographies, essays. Not because they explain reality better, but because they resist simplifying it. They train you to notice context, to hold more than one perspective at once, and to see differences where you might otherwise assume sameness.

What this awareness allows is something practical. The branching positions of the snatch are not metaphors, but places in the movement where futures actually diverge. Designing practice around them is a way of working with the system as it is, not as the spreadsheet wishes it to be.

Still, it would be a mistake to read this as an argument against variation or full-movement practice. Slowing the lift down, isolating transitions, or emphasizing specific positions can reduce complexity enough for the athlete to regain control where it was lost. But reducing a movement also reduces its errors. Error, as long as it isn’t catastrophic, is simply variation.

Variation is protective. There isn’t much learning in a “perfect” lift. So the goal is to reduce complexity only to the point where learning becomes possible again, but not so far that learning disappears with it.